Having recently attended a 2 day history of patchwork and quilting course, I am developing ways to integrate these techniques within my work.
The patchwork is bringing together  a collaboration of previous work and ideas. Layers of fabrics, texts, paper, and stitching creating a palimpsest containing 'clues within the calico'.
I am using fragments from found letters, photographs and diaries as the templates. These will be left inside the fabric, allowing the work to be viewed from both sides.
Traditional American blocks all have distinctive names. Blocks were  named after people, e.g. LeMoyne Star, which is named after the brothers  who founded New Orleans. Other blocks were named after historical  events, e.g. Rocky Road to Kansas, Whig Rose, Queen Charlotte’s Crown.  Biblical names were also common, e.g. Golgotha, Crowned Cross, Hosanna.  Equally popular were domestic names such as Sister’s Choice, Swing in  the Corner, Grandmother’s Fan. It is possible to have the same block  with different names, e.g. a block that was named Duck Foot in the Mud  on Long Island was called Hand of friendship by the Quakers in  Philadelphia and Bear’s Paw in Ohio (Gutcheon, 1973). The same block can  also have different names according to the way it is pieced, e.g. the  class Drunkard’s Path block becomes a number of other blocks, such as  Millwheel or Illinois Rose, when the configuration of the piecing is  changed. Interestingly each variation of Drunkard’s Path also has  multiple names, e.g. Snake Trail, Falling Timbers, Diagonal Strips, Vine  of Friendship, Chain are all the same variation (Cory, 1991).
Imagine a vast sheet of paper on which straight Lines, Triangles,  Squares, Pentagons, Hexagons, and other figures, instead of remaining  fixed in their places, move freely about, on or in the surface, but  without the power of rising above or sinking below it, very much like  shadows--only hard with luminous edges--and you will then have a pretty  correct notion of my country and countrymen. Alas, a few years ago, I  should have said "my universe:" but now my mind has been opened to  higher views of things."
Flatland
by Edwin A. Abbott
1884
 
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